摘要：北宋院體畫作為一種宮廷繪畫藝術，在唐、五代的基礎上發展到成熟階段，是中國古代繪畫藝術的高峰；和唐詩、宋詞一樣，也是中國古代文化頂峰階段的一種具體的藝術表現形式。本文選擇北宋院體畫藝術研究，并非僅就此藝術形式進行分析，而是通過院體畫這一藝術形式不同的表現形態，進而揭示它背后隱含的藝術精神。這是前人的相關研究中未曾深入涉及到的問題，也是本文研究的創新所在。本文在學習前人研究成果的基礎上經過自己的思考和分析，總結出北宋院體畫所體現出當時這一藝術流派的相關藝術精神。
本文認為：北宋院體畫作為一種宮廷繪畫藝術，在當時理學思潮的影響下，對傳統儒家和道家藝術精神都有所繼承，因而從總體上表現出人與天地一體并在天地之間立其心的藝術精神。這種藝術精神體現在當時的各種繪畫科目中，無論是黃筌和宋徽宗的花鳥畫、郭熙的山水畫、張擇端的民俗風情畫，都可以看出北宋院體畫所體現出來的這種藝術精神。具體而言，在北宋院體畫藝術精神的學理基礎中，從哲學以及繪畫題材即技法表現角度去探索其藝術精神；在北宋院體畫藝術精神的圖繪語式中，從美學風格以及審美趣味角度去探索其藝術精神。
本文通過圖像法、自下而上（歸納）法等相關研究方法，對北宋院體畫的分析，從中去揭示它復雜的藝術精神，這也是本文不同于前人相關研究的地方即創新之處。其意義在于，我們不僅只看繪畫表面，而是從表面圖像中看出藝術家是如何借助藝術方式表達自己對人與自然的關系的理解的。這也就會牽涉到藝術的本質問題，不只是一個藝術史問題的研究，而是一個值得我們深思的課題。
本文具體分為五章進行論述：
第一章，緒論，明確院體畫范圍和內涵，交代研究意義、研究現狀以及研究方法。第二章，介紹北宋院體畫藝術精神的歷史語境，它是北宋院體畫以及所體現出的藝術精神的生長土壤。第三章，北宋院體畫藝術精神淵源，從理論和實踐兩方面來追溯。第四章，北宋院體畫的圖繪語式，從不同角度來闡述這些藝術精神的體現。第五章，北宋院體畫藝術精神的影響。重在強調其藝術精神的作用。
在理論上，前人研究北宋院體畫藝術的有很多，但是重在研究其藝術精神的，只有談到寫實精神的，但寫實精神并非北宋院體畫所獨有，北宋院體畫也并非僅僅寫實，所以沒有深入到真正的北宋院體畫藝術精神。北宋繪畫藝術的主要藝術形態院體畫，也就是當時藝術家通過繪畫的方式反映出的當時人們的精神史。
在實踐方面，當今時代藝術再次高度繁榮，世界藝術紛繁雜亂，我們更不能忘記中國的傳統藝術精神。弘揚民族藝術精神，讓我們得到精神上的美感，心靈上的陶冶，這也是我們踐行藝術教育的目的。北宋院體畫所體現出的藝術精神不僅對于當代繪畫藝術創作是一個很好的借鑒，而且在現代西方思潮入侵下，重新審視我們民族之傳統藝術精神，對于重建我們民族之精神家園具有一定啟示意義。
以上正是本文研究的意義所在。
關鍵詞：北宋 院體畫 藝術風格 藝術精神
Abstract
The Northern Song Dynasty painting,as a kind of the Palace Painting art schools,up to the mature stage of development based on Tang and the Five Dynasties, is thepeak of the ancient chinese painting art. At the same time, it, like poems of Tang andSong Danasties, is a specific form of artistic expression at the peak stage of ancientchinese culture. The research of Northern Song Dynasty painting art in the paper, notonly analyzes art form, but also reveal its hidden art spirit through the different forms ofthe painting. This is the innovation of this study and never involved in the previousrelated studies. Based on the previous studies, the thesis has summed up the relativespirits which the Northern Song Dynasty painting reflected at that period, by beingthought and analyzed deeply.
This paper believes that the Northern Song Dynasty painting ,as a kind of thePalace painting art schools, influenced by Neo Confucianism at that time, has inheritedthe traditional Confucian and Taoist spirit of art. Therefore it generally shows theartistic spirit of people and the world together and the soul between them. The artisticspirit is reflected in the various painting subjects, such as, Huang Quan and SongHuizong's flower and bird painting, landscape painting of Guo Xi and Zhang Zeduan'sfolk custom painting. Specifically speaking, in the Northern Song Dynasty painting artspirit of the theoretical basis, the paper will explore the spirit of art through philosophyand painting technique of expression from the Northern Song Dynasty painting arts.
Besides, in the spirit of painting language, the paper will also explore its artistic spiritthrough the aesthetic style and aesthetic point of view.
In this paper, by inductive method, image method and other research methods toanalyze the Northern Song Dynasty painting and reveal its complex art spirit forms, thisis real innovation different from previous research. Its significance lies in, not onlyseeing the painting surface, but showing how to express themselves to the relationshipbetween man and nature by understanding arts.This will involve the essence of art, notonly the research of art history problems, but also a pondering issue.
This paper consists of five chapters:
The first chapter, introduction, makes the scope and connotation of painting clearand explains the research significance, the present situation and research methods. Thesecond chapter introduces the art historical context of the Northern Song Dynastypainting. It is the growth soil of the Northern Song Dynasty painting and reflects thespirit of art. The third chapter, the Northern Song Dynasty painting art spirit origin,from two aspects of theory and practice to trace. The fourth chapter, the drawinglanguage style of the Northern Song Dynasty painting to explicate these artistic spiritfrom different angles. The fifth chapter, the influence of the Northern Song Dynastypainting art spirit, especially emphasizing the role of the artistic spirit.
In theory, the previous research in the Northern Song Dynasty painting art has a lot,but only focuses on the spirit of realism. But in my opinion, it is not unique to the spiritof realism in the Northern Song Dynasty painting, but deepth to the art spirit of thereal North Song court paintings. In this paper, it focuses on reflecting the people's spiritof history at that time by that paintings.
In practice, contemporary art highly prosperous again, the world of art, mixed anddisordered, we can't forget the traditional Chinese artistic spirit. Art carring forward thenational spirit, let us get spiritual beauty, edification of the soul. These are also thepurpose of our practice of art education.
I think the problems above are the meaning of this researchKey words:
The Northern Song Dynasty Painting Style of Art The spirit of Art
摘要
ABSTRACT
第一章 緒論
第一節 院體畫的范圍和內涵
第二節 研究意義
一、 理論意義
二、 現實意義
第三節 研究現狀分析
一、國內研究現狀
二、國外研究現狀
第四節 研究方法與研究路徑
一、研究方法
二、研究路徑
第二章 北宋院體畫藝術精神的歷史語境
第一節 北宋院體畫背景
一、五代南唐畫院的奠基
二、北宋翰林圖畫院的設立
第二節 北宋院體畫發展因素
一、北宋院體畫發展的內部因素
二、北宋院體畫發展的外部因素
第三節 北宋院體畫藝術精神的學理基礎
一、從審美觀念來看學理基礎
二、從藝術精神與作品關系看
三、從北宋理學思潮出發來看
四、從北宋院體畫的題材來看
第三章 北宋院體畫藝術精神淵源
第一節 從藝術理論角度看其藝術精神淵源
第二節 從藝術創作角度看其藝術精神淵源
第四章 北宋院體畫藝術精神的圖繪語式
第一節 不同生存狀態藝術家的圖繪語式
一、來自西蜀和南唐的遺民畫家
二、作為最高統治者的皇帝畫家
三、從當朝民間選拔考試的畫家
第二節 多元美學風格圖繪語式
一、“藝術風格”概念
二、藝術風格與藝術精神之關系
三、北宋院體畫呈現出的多元藝術風格
第三節“雅﹑俗”審美趣味圖繪語式
一、追求雅趣的宮廷趣味
二、走向世俗的民間趣味
第五章 北宋院體畫藝術精神的影響
第一節 對南宋繪畫的影響
第二節 對元、明、清的影響
第三節 對近代繪畫的影響
結論
參考文獻
致謝
本文認為：北宋院體畫作為一種宮廷繪畫藝術，在當時理學思潮的影響下，對傳統儒家和道家藝術精神都有所繼承，因而從總體上表現出人與天地一體并在天地之間立其心的藝術精神。這種藝術精神體現在當時的各種繪畫科目中，無論是黃筌和宋徽宗的花鳥畫、郭熙的山水畫、張擇端的民俗風情畫，都可以看出北宋院體畫所體現出來的這種藝術精神。具體而言，在北宋院體畫藝術精神的學理基礎中，從哲學以及繪畫題材即技法表現角度去探索其藝術精神；在北宋院體畫藝術精神的圖繪語式中，從美學風格以及審美趣味角度去探索其藝術精神。
本文通過圖像法、自下而上（歸納）法等相關研究方法，對北宋院體畫的分析，從中去揭示它復雜的藝術精神，這也是本文不同于前人相關研究的地方即創新之處。其意義在于，我們不僅只看繪畫表面，而是從表面圖像中看出藝術家是如何借助藝術方式表達自己對人與自然的關系的理解的。這也就會牽涉到藝術的本質問題，不只是一個藝術史問題的研究，而是一個值得我們深思的課題。
本文具體分為五章進行論述：
第一章，緒論，明確院體畫范圍和內涵，交代研究意義、研究現狀以及研究方法。第二章，介紹北宋院體畫藝術精神的歷史語境，它是北宋院體畫以及所體現出的藝術精神的生長土壤。第三章，北宋院體畫藝術精神淵源，從理論和實踐兩方面來追溯。第四章，北宋院體畫的圖繪語式，從不同角度來闡述這些藝術精神的體現。第五章，北宋院體畫藝術精神的影響。重在強調其藝術精神的作用。
在理論上，前人研究北宋院體畫藝術的有很多，但是重在研究其藝術精神的，只有談到寫實精神的，但寫實精神并非北宋院體畫所獨有，北宋院體畫也并非僅僅寫實，所以沒有深入到真正的北宋院體畫藝術精神。北宋繪畫藝術的主要藝術形態院體畫，也就是當時藝術家通過繪畫的方式反映出的當時人們的精神史。
在實踐方面，當今時代藝術再次高度繁榮，世界藝術紛繁雜亂，我們更不能忘記中國的傳統藝術精神。弘揚民族藝術精神，讓我們得到精神上的美感，心靈上的陶冶，這也是我們踐行藝術教育的目的。北宋院體畫所體現出的藝術精神不僅對于當代繪畫藝術創作是一個很好的借鑒，而且在現代西方思潮入侵下，重新審視我們民族之傳統藝術精神，對于重建我們民族之精神家園具有一定啟示意義。
以上正是本文研究的意義所在。
關鍵詞：北宋 院體畫 藝術風格 藝術精神
Abstract
The Northern Song Dynasty painting,as a kind of the Palace Painting art schools,up to the mature stage of development based on Tang and the Five Dynasties, is thepeak of the ancient chinese painting art. At the same time, it, like poems of Tang andSong Danasties, is a specific form of artistic expression at the peak stage of ancientchinese culture. The research of Northern Song Dynasty painting art in the paper, notonly analyzes art form, but also reveal its hidden art spirit through the different forms ofthe painting. This is the innovation of this study and never involved in the previousrelated studies. Based on the previous studies, the thesis has summed up the relativespirits which the Northern Song Dynasty painting reflected at that period, by beingthought and analyzed deeply.
This paper believes that the Northern Song Dynasty painting ,as a kind of thePalace painting art schools, influenced by Neo Confucianism at that time, has inheritedthe traditional Confucian and Taoist spirit of art. Therefore it generally shows theartistic spirit of people and the world together and the soul between them. The artisticspirit is reflected in the various painting subjects, such as, Huang Quan and SongHuizong's flower and bird painting, landscape painting of Guo Xi and Zhang Zeduan'sfolk custom painting. Specifically speaking, in the Northern Song Dynasty painting artspirit of the theoretical basis, the paper will explore the spirit of art through philosophyand painting technique of expression from the Northern Song Dynasty painting arts.
Besides, in the spirit of painting language, the paper will also explore its artistic spiritthrough the aesthetic style and aesthetic point of view.
In this paper, by inductive method, image method and other research methods toanalyze the Northern Song Dynasty painting and reveal its complex art spirit forms, thisis real innovation different from previous research. Its significance lies in, not onlyseeing the painting surface, but showing how to express themselves to the relationshipbetween man and nature by understanding arts.This will involve the essence of art, notonly the research of art history problems, but also a pondering issue.
This paper consists of five chapters:
The first chapter, introduction, makes the scope and connotation of painting clearand explains the research significance, the present situation and research methods. Thesecond chapter introduces the art historical context of the Northern Song Dynastypainting. It is the growth soil of the Northern Song Dynasty painting and reflects thespirit of art. The third chapter, the Northern Song Dynasty painting art spirit origin,from two aspects of theory and practice to trace. The fourth chapter, the drawinglanguage style of the Northern Song Dynasty painting to explicate these artistic spiritfrom different angles. The fifth chapter, the influence of the Northern Song Dynastypainting art spirit, especially emphasizing the role of the artistic spirit.
In theory, the previous research in the Northern Song Dynasty painting art has a lot,but only focuses on the spirit of realism. But in my opinion, it is not unique to the spiritof realism in the Northern Song Dynasty painting, but deepth to the art spirit of thereal North Song court paintings. In this paper, it focuses on reflecting the people's spiritof history at that time by that paintings.
In practice, contemporary art highly prosperous again, the world of art, mixed anddisordered, we can't forget the traditional Chinese artistic spirit. Art carring forward thenational spirit, let us get spiritual beauty, edification of the soul. These are also thepurpose of our practice of art education.
I think the problems above are the meaning of this researchKey words:
The Northern Song Dynasty Painting Style of Art The spirit of Art
摘要
ABSTRACT
第一章 緒論
第一節 院體畫的范圍和內涵
第二節 研究意義
一、 理論意義
二、 現實意義
第三節 研究現狀分析
一、國內研究現狀
二、國外研究現狀
第四節 研究方法與研究路徑
一、研究方法
二、研究路徑
第二章 北宋院體畫藝術精神的歷史語境
第一節 北宋院體畫背景
一、五代南唐畫院的奠基
二、北宋翰林圖畫院的設立
第二節 北宋院體畫發展因素
一、北宋院體畫發展的內部因素
二、北宋院體畫發展的外部因素
第三節 北宋院體畫藝術精神的學理基礎
一、從審美觀念來看學理基礎
二、從藝術精神與作品關系看
三、從北宋理學思潮出發來看
四、從北宋院體畫的題材來看
第三章 北宋院體畫藝術精神淵源
第一節 從藝術理論角度看其藝術精神淵源
第二節 從藝術創作角度看其藝術精神淵源
第四章 北宋院體畫藝術精神的圖繪語式
第一節 不同生存狀態藝術家的圖繪語式
一、來自西蜀和南唐的遺民畫家
二、作為最高統治者的皇帝畫家
三、從當朝民間選拔考試的畫家
第二節 多元美學風格圖繪語式
一、“藝術風格”概念
二、藝術風格與藝術精神之關系
三、北宋院體畫呈現出的多元藝術風格
第三節“雅﹑俗”審美趣味圖繪語式
一、追求雅趣的宮廷趣味
二、走向世俗的民間趣味
第五章 北宋院體畫藝術精神的影響
第一節 對南宋繪畫的影響
第二節 對元、明、清的影響
第三節 對近代繪畫的影響
結論
參考文獻
致謝
